Impact 8 Printmaking Conference in Dundee

So Impact 8 happened last week, and it just flew by. The conference has previously been held in Australia, South Africa, and many cities within Europe, so it is very exciting that Dundee was chosen to host this year. Dundee does have a rich, relevant print history though - with DC Thompson, the invention of the postage stamp, academia, the art school, and digital and computer games industries.

I was a volunteer, and we were all very busy assisting with various tasks and taking in the awesome printmaking/academic vibes/knowledge. Dundee University and DCA print studio had been preparing for last week for a long time, and that enthusiastic energy really showed with all of the Impact events and the first ever Print Festival Scotland, too. I mainly acted as a technical hand should anything go awry in the presentations. I helped look after 2 talks (each with 3 speakers) and a panel discussion. The talks were both on the subject of 'Art and Science', which was really interesting and included a lot of great work. I met a lot of really talented folks with inspiring ideas. The speakers were  Barbara ZeiglerTim O’Riley, Monika Auch,  Sean Caulfield, Kathryn Smith, and Beatrice Haines. Everyone had such interesting things to say, and managed to elevate my understanding of how art and science can be brought together in a variety of ways, not just your usual 'visualisation/anatomy' uses. To name a few - ethics, highlighting scientific detachment, drawing attention to people, process and materials, and solving intrigue.

The panel discussion was so interesting too, and much more involved in the kind of subject my own art is involved in: 'Printopias' - creating whole worlds within print. My 4th year studio buddy Raluca Iancu was speaking at the panel discussion (about the Three Bridges Project), and it was fantastic to catch up after 2 YEARS! I can't believe it's been so long since graduating.  The other speakers were John Philips (he spoke about the worlds and utopias within postage stamps) and Curtis Bartone (he spoke about fictional dystopia/utopias) , and the panel was chaired by Beauvais Lyons.

I plan to make a post on The Big Print soon. :)

Working on Editions for Thomson and Craighead

One of the new pieces of equipment the DCA print studio acquired recently is the CNC router. I would absolutely love to create a woodcut piece with it... going to have to think about that one a bit, though. You can cut some really precise, large scale stuff with it, and it has interchangeable cutting tools for both fine and rougher work. Artist duo Thomson and Craighead are getting their work for Never Odd or Even, their first survey exhibition in the UK at the Carroll/Fletcher Gallery in London. The woodblock pieces I have printed are part of the London Wall project, where local tweets are chosen and made into artwork. They have already been selling very well, I hear, which is fantastic news. Here are some pictures on the process...

cnc router for Thompson and Craighead

 

I alsolutely love to use that style of press- it's so old and still works perfectly. Here is the only 'finished' shot I could find:

The other one that I printed was black and said 'Don't blow my high'. You can see the block being prepared in one of the previous pictures. This project was really fun and rewarding to complete, and I really enjoyed it. More on relief printing soon! :)

 

Edit: I just realized that the pieces I printed are available to buy at the Carroll/Fletcher online shop, too.